Robin Robertson

b. 1955


We are drawn to edges, to our own/parapets and sea-walls: - 'Apart', Robin Robertson

The Park Drunk

Robin Robertson

Swimming in the Woods

Robin Robertson

Wedding the Locksmith's Daughter

Robin Robertson

What the Horses See at Night

Robin Robertson

Artichoke

Robin Robertson

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About Robin Robertson

Robin Robertson (b. 1955) is a poet of austere and meticulous diction, tempered by a sensuous music. He was born in Scone, Perthshire, and brought up on the north-east coast of Scotland but has spent much of his professional life in London where he is currently Poetry Editor at Jonathan Cape. Robertson came late to publishing in terms of his own work, his debut collection A Painted Field appearing in 1997. However, the assuredness of his poetry made an immediate impression, winning the Aldeburgh Poetry Festival Prize, the Saltire Society First Book of the Year Award and the Forward Poetry Prize for Best First Collection. His two subsequent books have also attracted acclaim, culminating in his most recent, Swithering, winning the Forward Poetry Prize for Best Collection. In 2004 he received the E. M. Forster Award from the American Academy of Arts and Letters.



Swithering, a Scottish word meaning both hesitation and "things that are indeterminate..." illuminates that aspect of Robertson's work in which the narrators of his poems are subject to contradictory impulses. One significant dilemma is whether to stay or to leave, as encapsulated in the final metaphor of 'Swimming in the Woods' where a damp imprint in the shape of a butterfly is the only trace of a woman's presence. Elsewhere Robertson's recourse to classical myth explores that transgressive territory between the human and the animal, for example Asterion, the minotaur, trapped in his labyrinth of bestial appetite and human loneliness. Underlying this indeterminacy is an inescapable sense of fall: Robertson's work is "condemned to these patterns of love and loss" ('Swimming in the Woods'), like the narrator of 'Donegal' who watches his daughter, knowing that she is going "where he could not follow". However, this bleakness is often exhilarating, largely due to the intense physicality of Robertson's poetry which can celebrate sensuous existence even whilst describing its decline, as in his evocation of peeling an artichoke.

This joy in language as sound is clear in Robertson's reading, for instance in the way he emphasises the alliteration of the 'k' sound in his beautiful sonnet, 'Wedding the Locksmith's Daughter', an aural echo of a turning key. His deep voice with its relish for language is finely tuned to the rhythms of these "darkly chiselled poems" (Kazuo Ishiguro).

His recording was made on 25 January 2007 at The Audio Workshop, London and was produced by Richard Carrington.

Selected bibliography

Swithering, Bonnefant Press, Banholt/House of Anansi,...

The Wrecking Light Picador, 2010 Anansi (2010), Houghton...

Firebird 3: New Writing from Britain and Ireland (editor...

Firebird 4: New Writing from Britain and Ireland (editor...

The Moon Disposes: Poems 1954-1987 (editor), Peter...

32 Counties: Photographs of Ireland by Donovan Wylie...

Selected Poems (editor), Peter Redgrove, Jonathan Cape,...

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Mortification: Writers' Stories of their Public Shame (...

Penguin Modern Poets 13 (contributor with Michael...

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The Deleted World: versions of Tomas Tranströmer (...

Medea (translator), Vintage, 2008

Actaeon: The Early Years, Grand Phoenix Press (Nimes -...

Camera Obscura, Colophon Press (limited edition), 1996

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Swithering, Picador, 2006; Harcourt (New York) 2006;...

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Slow Air, Picador, 2002; Harcourt (New York) 2003

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A Painted Field, Picador, 1997; Harcourt (New York) 1998...

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